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Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix...
Highest rated appearances
as Julie

Porto
as (voice)
On Belonging
as Self

But Elsewhere Is Always Better
as Self

No Home Movie
as Self
My Name is Chantal Akerman
as Self

I Don't Belong Anywhere: The Cinema of Chantal Akerman
as Self
What Lies Beneath the Sky
as Narrator(voice)

Chantal Akerman
as Self

What Is Cinema?
as Self

My Mother Laughs Prelude
as Self

Guest
as Self

Chantal Akerman, From Here
as Self

Sodankylä Forever
as Self

Maniac Summer
as Self

The Art of Time
as Self
Interview with Aurore Clément
as Self

Interview with Babette Mangolte
as Self

Interview with my mother, Natalia Akerman
as Self

Down There
as Self (voice)

Making of Tomorrow We Move
as self

From the Other Side
as Self (Narrator - Interviewer)

One Day Pina Asked...
as Self (uncredited)

The Ministries of Art
as Self

Calling the Shots
as Self
L'inhumaine
as -

Seven Women, Seven Sins
as Film Director (segment Portrait d'une Paresseuse)

Portrait of a Lazy Woman

Mallet-Stevens Street

She Spent So Many Hours Under the Sun Lamps

Family Business
as Self

Letter from a Filmmaker: Chantal Akerman
as Self

De droomproducenten
as Self

The Man with the Suitcase
as The Woman

Tell Me
as Self

News from Home
as Narrator (voice)

Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
as Neighbor (voice) (uncredited)

Chantal Akerman: An Interview
as Chantal Akerman

Autour de Jeanne Dielman
as Self

Je Tu Il Elle
as Julie

‘Rameau’s Nephew’ by Diderot (Thanx to Dennis Young) by Wilma Schoen

La chambre
as Self - On her bed

The Beloved Child, or I Play at Being a Married Woman
as Herself (uncredited)
Untitled